Skip to main content

PaleNeØ: A New Force in Japanese Female Rock

An Exclusive Interview with PaleNeØ PaleNeØ, the exciting four-member girl band, is making waves in the Japanese rock scene with their unique blend of diverse musical styles. Formed in April 2023, their name itself, a fusion of "Paleo" (ancient) and "Neo" (new generation), hints at their innovative approach. Their music seamlessly incorporates elements of metal, rock, classical, visual kei, VOCALOID, and anime songs, creating a powerful and all-encompassing sound that has quickly garnered attention. Their sold-out 1st-anniversary show in Shinjuku is a testament to their growing popularity. In this exclusive interview, PaleNeØ discusses their debut album, 『SCØRE』, set to be released on December 4th, their musical influences, and the unique personalities that make up the band. Read on to discover what makes PaleNeØ a force to be reckoned with in the world of Japanese female rock. The Interview — What do you each think are the strong points and characteristics of PaleNeØ as a band? Honoka: ...... (whispering) Everyone is cute. All: Hahahahaha (laughs). Honoka: No, I mean, there was a catchphrase on the obi of the self-produced CD "ØCTAVE" (mini-album released in June 2024) that sold out: "Are they just cute, or are they talented?" I didn't come up with it, but I thought it was pretty good, right? It fits, right? It's a bit creepy, isn't it? (laughs). AYARI: The more you say it (laughs). Honoka: Well, since we're a girl band, selling our looks might sound dirty, but I think it's definitely there. Plus, the guitar and bass are doing some pretty difficult things. I think our strength is that cute girls can do such things. Also, the name PaleNeØ is a coined word combining "Paleo" and "Neo." "Paleo" means "ancient," and "Neo" means "new generation." As you can tell by listening to our songs, we play various genres. There are songs that are a bit visual kei-ish, or have a nostalgic feel, and some with classical elements, and even some like pico-pico (chiptune) style. I think PaleNeØ's strength is that we can do anything and entertain our audience in various ways. AYARI: I might be repeating myself, but I also think the breadth of our music is a strength. REOTO and two other composers (asanuko, cookie) create our songs, so there's a difference there because the composers are different, and even within each composer, the colors are quite different, which I think contributes to the breadth of our music. Personally, it's been about a year and a half since we started, but I feel like we've been consistently releasing things for our audience. We consistently release songs to entertain everyone, we have live shows every month, and we do live streams without fail, so I think our strength is that we think about various ways to keep our audience engaged and everyone contributes to that. — Do you all discuss such content a lot? AYARI: Yes, we do. Live streams have become a regular thing, but in the beginning, we thought a lot about how to do them. Also, for music videos, for example, Honoka thought a lot about the story for "aLiVE." Honoka: I wanted to make a silly music video, so I thought, "This is my turn!" AYARI: We packed a lot into it. Then, with the next music video, "Fantasy No. 1 in C sharp minor 'Melody Thief'" (from "ØCTAVE"), we completely changed the atmosphere, and I wanted to show that gap. "aLiVE" is a Neo song, right? Honoka: It's more Neo-ish. AYARI: After a song with strong Neo elements, we wanted the audience to see a different side, so we brought in the Paleo song "Fantasy No. 1 in C sharp minor 'Melody Thief,'" and so on. That's how we do it. — So you have a distinction between "Paleo songs" and "Neo songs" among yourselves? Honoka: I don't know if it's permeated the audience, but it exists among us and the composers. Many Paleo songs are created by REOTO. AYARI: When we create setlists, we make sure not to have all Paleo songs, for example. — That's a good distinction (laughs). YONA: To put it nicely, it's "wide range of songs," but I think some people might perceive it as a bit messy. However, PaleNeØ wants to try everything. So that's definitely a strength. REOTO: Mine is similar, but our strength is definitely the range of our music and the range of our presentation. Neo-classical metal has been around for a long time, but we have Paleo elements that show a different kind of feel, and Neo songs that have a strong VOCALOID feel, and even "CRAZY & NOiSY & CUTiE MAGiC!" included in this album, which is a dance tune that's not typically found in band sounds. So there's an interesting sound. Also, we've heard from our audience that PaleNeØ's live performances are very striking. Honoka: Mm-hmm. REOTO: Not only the members' performances, but also the impression that many of our audience members are good at hyping things up. I personally feel very fortunate in our year and a half of activities. We've created many fun live shows with our audience, and I strongly hope that those who haven't come yet will come to see a live show at least once. — Honoka, you were nodding. Honoka: Yes (laughs). Our recordings are good, but I really want people to see our live shows. I think there are many BABYMETAL fans among our audience, and some people who listen to metalcore go to our live shows and mosh. That's why "Gilgamesh Tousouki" (from the 1st single "PANORAMA" released on June 15, 2023), which we released early on, is a staple song for live shows where you can do a wall of death, and some people look forward to that, and there are also songs where you can do two-step, and there are several parts in the lyrics that I wrote hoping they would be performed live. So, our band's music is not just for listening to, but also for enjoying live performances. REOTO: Yes. We aim for music that is fun to watch and listen to. — Regarding your songs, REOTO, you write both lyrics and music, and you often create Paleo songs. Is that because you like that kind of music? REOTO: Yes. Until I was in the middle of junior high school, I was solely focused on classical music... Conclusion PaleNeØ is clearly a band with a clear vision and a passion for pushing musical boundaries. Their dedication to their craft, combined with their unique blend of genres and engaging live performances, makes them a compelling presence in the Japanese rock scene. We eagerly await the release of 『SCØRE』 and look forward to seeing what else this talented group will bring to the world of music.

Comments

Popular posts from this blog

MIDORI TATEMATSU (LOVEBITES): "I AM PROUD THAT WE HAVE SO MANY FEMALE BANDS IN JAPAN"

"I am proud that in Japan we have so many female-fronted bands": Midori Tatematsu, Lovebites Interview – February 24, 2025 For the first time in their career, the Japanese band Lovebites is coming to Latin America, performing at the first edition of the Titans of Metal festival on March 1 at Parque Bicentenario in Mexico City. We had the chance to talk with guitarist Midori Tatematsu about her first impressions of coming to Mexico and the growing, highly admired Japanese metal scene. How do you feel about coming to Mexico for the first time and sharing the stage with major bands like W.A.S.P. and Six Feet Under at the first Titans of Metal Fest? This will be our first live performance in Latin America, so we are especially excited about it. As a band, it’s a great honor for us to share the stage with these metal legends, and personally, I really want to see them perform because I’ve never had the chance to attend one of their concerts. The worl...

THE WARNING – QUEEN OF THE MURDER SCENE: A DARK JOURNEY THROUGH CONCEPTUAL ROCK

The second studio album by the Mexican trio The Warning, Queen of the Murder Scene, marks a crucial moment in the band's career. Released on November 25, 2018, this isn't just another rock album – it's a dark and immersive conceptual work that tells a story of obsession, psychological descent, and murder through 13 powerful tracks. Following the raw energy of their debut album XXI Century Blood, the Villarreal sisters – Dany, Pau, and Ale – chose a more ambitious path. They decided to create an album with a cohesive narrative, told from two alternating perspectives: the protagonist’s "good" side and her dark, psychotic alter ego. This narrative duality creates tension and emotional depth throughout the listening experience. A CONCEPT BUILT IN CHAPTERS The album was recorded at Sphere Studios in Los Angeles and released independently through Nada Mas Records. It was cleverly structured into chapters, released separately in the weeks leading ...

[Translation] Interview with Misa on Rolling Stone Japan vol. 28 (2024-09-25)

Misa: Her artisanal attention to detail and love for the band Misa, the bassist of Band-Maid, is loved also for her performance of drinking alcohol on stage. Contrary to her taciturn appearance, she plays technical and passionate bass lines on her 5-string bass. With her heavy sound, she makes Band-Maid songs even more solid. She thoughtfully talked with us about the challenge she took on in their latest album and about what Band-Maid means to her. ― In which song on Epic Narratives did you personally challenge yourself most? Misa: It’s Track 13 TAMAYA!. When I received the first demo, I thought it would be fun to play with slap, so I wrote such a bass line on the spot, but that increased the difficulty level. It has a lot of precise switches, like I pick for a bar and then slap just for another bar, and I slap again just for a bar or two quarters. I made it so myself, though (laughs).   ― You Band-Maid have a tendency to pursue unusual difficulties,...